chair stealing maneuver



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 Post subject: chair stealing maneuver
PostPosted: Thu Nov 20, 2008 3:30 am 
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does anyone know something about this for seated sets


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PostPosted: Thu Nov 20, 2008 10:12 am 
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Here's a good one for seated sets.

You: Hi there, are any of you interested in seeing a trick... there's the possibility of a free drink involved? *smile on face, sell it with the eyes*.

You: Ok, here's what I'm going to do, if any of you figure out my trick before I'm done, I'll get that person a free drink... If I pull it off before anyone notices, I get to sit down with you for a few minutes and get to know you all a little better, sound fair?

Group: Hopefully the group agrees.

You: , I'm going to need a volunteer (take a quick look around and decide upon who ever you want, preferably your target)

You: You, you'll do, if you could just stand up for me a second and hold your hands like this. (Walk over to them and hold your hands out palm face up).

You: That's great. (Place your fingers lightly on-top of hers). You know what, let's make this a little more interesting, if I pull off this trick, I get to take your friend here for a twirl on the dancefloor, and if I don't, I'll buy an entire round for the table, agreed?

You: Right, now if you could just move this way around for a second so everyone else can see your face. (This is the turning point, you get her to rotate around and you walk around, still touching fingers, to where she was, at this point your in position to sit down).

Do what ever you want from here, you've pulled off the trick, make some kind of sarcastic joke about how everyone fell for it, blah, blah, blah - be creative.


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PostPosted: Thu Nov 20, 2008 5:49 pm 
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^Hmm, that has a few DLV's in it, and if you're going to choose the target, I would at least neg her first.

The way I do it, is I calibrate. If I think it will work, I go for the straight normal twirl like you would with a bar seat.

If not, I get her to see who's taller, so we're both up. From there I do the twirl and compliment her on her dancing, then neg her because you only actually wanted her seat and laugh at her.


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PostPosted: Thu Nov 20, 2008 5:51 pm 
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Here is an example:

<object width="425" height="344"><param name="movie" value="http://www.youtube.com/v/JJgZBD4b30o&hl ... ram><param name="allowFullScreen" value="true"></param><param name="allowscriptaccess" value="always"></param><embed src="http://www.youtube.com/v/JJgZBD4b30o&hl=en&fs=1" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="425" height="344"></embed></object>

http://www.youtube.com/watch?v=JJgZBD4b30o

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PostPosted: Thu Nov 20, 2008 9:34 pm 
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Walk up to a table and sit down next to them and say:

Me: Hey guys sorry I'm late traffic was crazy getting over here.
Me: whatd u guys get me to drink?

*field test it and let me know how it works...


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 Post subject:
PostPosted: Thu Nov 20, 2008 10:21 pm 
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Quote:
Walk up to a table and sit down next to them and say:

Me: Hey guys sorry I'm late traffic was crazy getting over here.
Me: whatd u guys get me to drink?

*field test it and let me know how it works...
Why don't you test it?

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Been around the world twice, Talked to everyone once...


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 Post subject:
PostPosted: Fri Nov 21, 2008 12:36 am 
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Quote:
^Hmm, that has a few DLV's in it, and if you're going to choose the target, I would at least neg her first.

The way I do it, is I calibrate. If I think it will work, I go for the straight normal twirl like you would with a bar seat.

If not, I get her to see who's taller, so we're both up. From there I do the twirl and compliment her on her dancing, then neg her because you only actually wanted her seat and laugh at her.
I usually try to neg as little as possible, but you could change the line where you choose your target and say something like.

"You, yuo look like you'd fall for this one, could I just get you to stand up for a second and hold your hands like this"


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