I'm writing up an in-depth report on Negging for people that are in the PMZ, or are interested in paying to be able to download the new content we've been adding like this report and others on specific topics written by the mods here.

I figured that this is a topic that I often see questions about and get questioned about directly and that its a topic close to my heart, that I would like to write it for you guys. What I was interested in though is getting a few ideas of what topics that YOU would like addressed regarding the subject. I'll be writing it tonight and probably finishing up tomorrow, so you have tonight and some of tomorrow to get in any areas you feel you need specifics on.

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"The 'Brick Walls' are there to allow you to prove how badly you want something!" ~ Randy Pausch

~ Rye

just an idea


what about talking about how to calibrate the negs depending on the target

such as how a HB10 might need several negs as opposed to lets say a HB7 only needing like one or two

maybe different types of negs like mild, severe,backhanded complements

just a thought i had, however i look forward to whatever you write.


by the way i havent forgot about the other stuff we discussed, just been busy getting ready for finals and such.


thanks man

skittlepimp

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"100 PERCENT FREE GUITAR LESSONS @ http://www.stringmania.blogspot.com" "I will turn your face to alabaster, when you find your servant is your master" - The Police - Wrapped around your finger."
Skittlepimp

Maybe its because i feel im naturally good at negging, but i dont see how people have trouble with this.

For me all my negs are improvised and i make them up and use them on the fly.

The canned negs work like canned routines...you use them when you cant keep up a real convo or need to steal back a frame. I only use canned negs once in a blue moon when i cant see a flaw and point it out.

A person slips and says something wrong, trips themselves up, holds their drink funny, keeps saying a phrase over and over, has a goofy body language thats repeatidly used, etc. All you gotta do it point it out, callibrate it as far as how sevre you need it to be and you got a neg.

Like i said maybe its just because i think im good at seeing imperfections in people and pointing them out in a playful way that doesnt come accross as an insult.

I wish i could help but i really think the best way to neg is to keep an eye out for personal traits, or to neg peoples reactions. For instance if your ignoring your target properlly neg them for speaking out of turn or being needy).

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-Ka-
"Be the same, only better."

these are just some sub-topics of things that i have come across and some common questions that ive been asked and seen...

although im sure you would have looked at most of these anyway mate...

appropriate times to neg
who to neg
why you neg
the difference between negging and offending
do you have to neg?
what if you are being negged? do you neg back harder and stronger?
do you HAVE to neg?
how do i become better at negging
delivery of a neg
physical accompanient of a neg (ie. cheeky smile, body language etc...)
following up after a neg (cat-string etc)
what to do if ive over negged? have i blown the set
canned negs vs natural negs
finding a 'common ground neg' (bringing the target in with you to neg someone else together)
negging the amog
over-negging

thats all i can think of off the top of my head......

looking forward to article....

I'll definitely be looking at those points and thanks for listing them all out because I probably would have forgotten one or two. What I'm trying to do more though, is expand people's understanding of how a neg works and taking it into a new direction, where it becomes more playful and keeps things fun for a girl and builds attraction, rather than just knocking her off a high horse and then stopping completely after a short while.

_________________
"The 'Brick Walls' are there to allow you to prove how badly you want something!" ~ Randy Pausch

~ Rye