Quote:
The Crotch Click
Non-verbal communication is key to maintaining interest; namely hand gestures to really communicate your verbalizations more effectively. Be active, move them around, move your body, imagine your Italian. Ever seen deaf people talk to eachother? I bet you look just a little longer at them sign-languaging than you do a regular set verbalizing. Why? Because its interesting, its active and holds attention.
So, you’re 10 mins into a set and you’ve been gesticulating for the whole time. Start to make your hands more noticeable: use bigger gestures and make sure they’re visible (close HB proximity can limit this so take a step back, which is also a push/pull tactic, to make sure your hands are in direct view). Make sure you’re directly facing her with your body language otherwise she might not see it properly.
Encorporate a line in your story/conversation about going from one place to another be it physically or metaphorically and visually back it up by using clicks of your fingers from left to right (kind of like those black women on jerry springer do when they’re angry).
e.g. Physically: “It was such an effort/experience/etc just trying to make your way from London (click infront of your right shoulder) to France (click with the same hand in front of your left shoulder) then down to Greece (click down to your crotch) I couldn’t believe it…And can you not look at my crotch while I’m speaking….etc etc continue on with the story and don’t let her answer to the neg.
Now, this is a tooling device: it makes her look like she wants you and frames HER as the pervert. Now break eye contact with her and follow the first two clicks with your own eyes. This should direct attention away from your face to your hands: this is the goal. But as you do the third click try to sneek a peak at whether she is still looking at your hand clicking around your crotch region, 90% of the time they are because they haven’t realized you have re-initiated eye-contact.
The faster you do the clicks the better to keep her attention.
YOU NEED TO MAKE SURE THEY ACTUALLY DO LOOK OTHERWISE YOU WILL COME OFF LIKE YOUR QUALIFYING YOURSELF.
Anyhow, finish your Europe story or your metaphorical story e.g. …and my emotions were just running wild from angry (right click) to sad (left click) to happy ( crotch).
Advanced Section
For the crotch click try to associate the thing your talking about e.g. “happy” in the above, with a word that has positive value. This is very roughly based on NLP tactics of getting them to associate sex with you and your meat-sword to positive things. Even more advanced is that your pre-quel to these “emotions” you’re feeling is something along the lines of making THEM try to feel them too.
You: ….yeah you know what I mean when your (collective pronouns are always gold for establishing rapport) just about to make the first call to that hot guy you met you met last night and you have these emotions running through your head from scared (right click) to worried(left click) to excited ( crotch) all at once.
RESULT: You cut her social status, frame her as a tool, frame yourself as the prize, take her on an emotional rollercoaster, mentally associate sex with you in a positive light. Secondly in the above e.g. you communicate that your view is that girls call the guy (the prize) implying they’re desperate while also mentioning he’s hot implying they’re good enough to get the prize-guys (sublte neg theory at work).
I found this in my searches, many props to <b>everlong</b>, can't wait to try this one out! Non-verbal communication is key to maintaining interest; namely hand gestures to really communicate your verbalizations more effectively. Be active, move them around, move your body, imagine your Italian. Ever seen deaf people talk to eachother? I bet you look just a little longer at them sign-languaging than you do a regular set verbalizing. Why? Because its interesting, its active and holds attention.
So, you’re 10 mins into a set and you’ve been gesticulating for the whole time. Start to make your hands more noticeable: use bigger gestures and make sure they’re visible (close HB proximity can limit this so take a step back, which is also a push/pull tactic, to make sure your hands are in direct view). Make sure you’re directly facing her with your body language otherwise she might not see it properly.
Encorporate a line in your story/conversation about going from one place to another be it physically or metaphorically and visually back it up by using clicks of your fingers from left to right (kind of like those black women on jerry springer do when they’re angry).
e.g. Physically: “It was such an effort/experience/etc just trying to make your way from London (click infront of your right shoulder) to France (click with the same hand in front of your left shoulder) then down to Greece (click down to your crotch) I couldn’t believe it…And can you not look at my crotch while I’m speaking….etc etc continue on with the story and don’t let her answer to the neg.
Now, this is a tooling device: it makes her look like she wants you and frames HER as the pervert. Now break eye contact with her and follow the first two clicks with your own eyes. This should direct attention away from your face to your hands: this is the goal. But as you do the third click try to sneek a peak at whether she is still looking at your hand clicking around your crotch region, 90% of the time they are because they haven’t realized you have re-initiated eye-contact.
The faster you do the clicks the better to keep her attention.
YOU NEED TO MAKE SURE THEY ACTUALLY DO LOOK OTHERWISE YOU WILL COME OFF LIKE YOUR QUALIFYING YOURSELF.
Anyhow, finish your Europe story or your metaphorical story e.g. …and my emotions were just running wild from angry (right click) to sad (left click) to happy ( crotch).
Advanced Section
For the crotch click try to associate the thing your talking about e.g. “happy” in the above, with a word that has positive value. This is very roughly based on NLP tactics of getting them to associate sex with you and your meat-sword to positive things. Even more advanced is that your pre-quel to these “emotions” you’re feeling is something along the lines of making THEM try to feel them too.
You: ….yeah you know what I mean when your (collective pronouns are always gold for establishing rapport) just about to make the first call to that hot guy you met you met last night and you have these emotions running through your head from scared (right click) to worried(left click) to excited ( crotch) all at once.
RESULT: You cut her social status, frame her as a tool, frame yourself as the prize, take her on an emotional rollercoaster, mentally associate sex with you in a positive light. Secondly in the above e.g. you communicate that your view is that girls call the guy (the prize) implying they’re desperate while also mentioning he’s hot implying they’re good enough to get the prize-guys (sublte neg theory at work).
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but I snuck a few) anyways. I did the snap thing when we were talking about her on a roller coaster. I said were you scared, nervous, or excited and i snapped down at my crotch for the third snap. She looked right down.