Do NOT overuse these in conversation because you will just seem VERY confusing and that's not a good thing. Sprinkle them in to confuse the listener. When they are confused, they are suggestible (according to RJ), and you will have to lead them somewhere with embedded commands for example.
Double Negation (I learned this from Igor Ledochowski's Conversational Hypnosis Course):
"You really shoudn't not feel totally compelled by this.."
Based on the theory that the conscious mind has to work harder in order to process a negative.
Stacking multiple realities (learned from RJ):
Quoting something, that quoted something else, which also quoted something else. This is designed to cause the critical mind to just give up and lose track of everything you are quoting.
Example: "I was talking to my friend Cheryl the other day (first quote), and she told me that she was watching a show on the Discovery Channel (second quote) about a seminar (third quote) that dealt with how we connect with each other...and it said that a recent study shows (fourth quote)..that when you really allow yourself to feel a connection, a person can...STOP..and recognize, that's taking place...."
Multiple time distortion (learned from RJ):
More than 1 time distortion. This is used often in Incredible Connection patterns.
"...stop...and imagine a time in the future (1 time distortion) still feeling that incredible connection..and looking back to this moment (2 time distortion, notice how "this moment" is vague) as being the start of it..."
The change of meaning within a sentence
(RJ uses this all the time with his, "now, with me" binder commands. However, Igor Ledochowski really explains it well in his course)
Basically, you take two statements, two sentences, one of which begins with the same word or the same phrase as the other one ends with.
Example:
"You can relax now" + "Now is the time to learn about conversational hypnosis" =
"You can relax now is the time to learn about conversational hypnosis."
Run the sentence as if you forgot you were changing topics.
Ross Jeffries uses these a lot (but fails to explain it like Igor does).
Example of how to use this in the Discovery Channel Pattern:
"..as you reach the peak, and you are about to go down..you're screaming with excitement now with me, I find that when that's taking place, it's an absolute rush.."
That is a combination of:
1. You're screaming with excitement now.
2. Now, with me, I find that when that's taking place, it's an absolute rush.
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