what are the possibilities in this broad field? im reffering to choice of words, tonality, sampling etc, everything
thank you.
new here btw. youll propably be seeing me around alot
peace!
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| Anchoring in Music? or other patterns or techniques https://pick-up-artist-forum.com/viewtopic.php?f=127&t=43927 |
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| Author: | ay2dazee [ Thu Apr 23, 2009 2:25 pm ] |
| Post subject: | Anchoring in Music? or other patterns or techniques |
what are the possibilities in this broad field? im reffering to choice of words, tonality, sampling etc, everything thank you. new here btw. youll propably be seeing me around alot peace!
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| Author: | Jaybot [ Thu Apr 23, 2009 8:00 pm ] |
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The possiblities are endless I am doing a degree in popular music and do lots in my assignments about psychology, I gotta go graba shower but I will post some of my findings/ideas up tomorrow xx |
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| Author: | ay2dazee [ Thu Apr 23, 2009 8:42 pm ] |
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sorry bro, i cant give you any rep points 
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| Author: | Jaybot [ Sat Apr 25, 2009 11:38 am ] |
| Post subject: | |
Had a crazy few days so didn't write much up, but some good people to look at would be Tim Wall and Simon Frith (especially performing rites). They talk about semiotics which I see as an unintentional form of anchoring, which can also change peoples states depending on the connotations they hold to the piece. For example my heart will go on (from titanic) is massively played at funerals so puts a lot of people in that state. However for a more deliberate type of NLP in music you would probably have to look into matching state and leading it, for example a building album getting faster or slower. Also the way the brain doesn't interpret full stops or negatives. ("Don't you want me baby"). I will put more thought into this at a later date, I also think flypapermeems has looked into some similar things. Also I am away from home SPAM but if you fancy and essay on dominance within a club through performance and dancing just ask. |
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